Selected —
Tap any letter on the sheet to pull it out on its own.
The demon who collects what goes wrong in the copying. Every mistake kept, sacked, and weighed.
Presets
Seed
One · Encoding
Encoding — damage the characters first
This stage works on characters, before any glyph is drawn — so its output is still text you can copy and paste anywhere. Fields decide where the damage lands; operators decide what it does. Everything below then draws whatever comes out.
Two · Construction
Letterform source
Skeleton draws each letter as monoline strokes, so a break opens a bowl and a stray leg reads as part of the letter. Courier traces the real outline, so damage reads as erosion. Both runs them on top of each other.
Failure modes
Intensity
The script
Only bites in Asemic and All three. A character always lands in the same alphabet slot, so marks recur — that recurrence is what makes a page read as written rather than doodled.
The sack
Titivillus filled a sack a thousand times a day with the syllables scribes dropped. Here every edit is kept the same way — stored as an operation, never baked in. That is why a letter you tuned by hand still comes out in the font file, and why the recipe link reproduces it exactly.
Three · Raster
Raster — the end of the line
Pixels, not paths. Nothing after this can recover an outline, so vector and font export switch off while it runs. Clear the layers and they come back.
Export
Vector and font export are off because the raster stage is running. The image is pixels now.
The font file freezes one broken form per character and installs like any other typeface. ASCII only, monospaced, 1000 units per em.